Intersectionality in Country Music

2020 is here, and country and honky tonk music is queer and colorful.

As I mentioned in my Raw Yee-Haw post, country and honky-tonk has always had a variety of rebels. I use the term “variety” because the type of rebellion is really up-for-grabs. For example:

  •  David Allan Coe: He really deserves his own post: spent a large part of his life in prison, lived in a hearse, says the “n-word” quite a bit (yikes), and made a country-metal album with Pantera. Many of his songs cover issues of class-consciousness.
  • Dixie Chicks: America’s sweethearts until they pissed off much of the conservative country fandom when they were critical– rightfully so– of George W. Bush and the Iraq War. The Dixie Chicks held their ground, never apologized, and, honestly, it was awesome. “Not Ready to Make Nice” was a song that was a result of the incident. It’s also a song that has gotten me through some of my most pissed off times.

These are two different presentations of rebellion with quite different motivations. I could discuss so many other examples, but these are two that come to my mind more immediately.

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The Raw Yee-Haw Collection

I swear I’ve never used this many fried chicken analogies in my life.

EDIT: Oops…I rambled again, but I promise I talk about music towards the end. The full Raw Yee-Haw playlist featuring more songs is available here.

Being born and raised in the Southern U.S. (for simplicity’s sake, Texas is included in this post; although, I do agree Texas is “its own thing” that I cannot begin to cover in one post; y’all sit tight for that) comes with an interesting set of characteristics. You can leave them, but they never truly leave you. A gremlin. While largely undetectable (when sober and calm) to Midwestern ears, my gremlin shows itself in my pin-pen merger.

Continue reading “The Raw Yee-Haw Collection”