Tag Archives: War Paint

“Don’t Wanna Be Your Girl” and “Love is Not Enough” by Wet

In 2013 and 2014, I was working in music and constantly being introduced to a slew of music– it was literally my job. Perhaps it was the timing, but many of my favorite performers from that time period are indie pop and indie rock bands: Dum Dum Girls, War Paint, and Wet.

Over time, Wet’s tracks from their self-tiled extended play and the tracks from their 2016 full length album Don’t You have stood the test of time. The track I posted above is called “Don’t Wanna Be Your Girl”, and the lyrics are as you’d expect: I’ve reached the end of the rope, and I don’t want to be your girl no more. This song will serve as your bff for the message you need to deliver.


On paper, the lyrics might sound aggressive or like they could placed into a fast pace pop anthem. However, Wet has a very relaxing sound with lots of synth and harmonies that feel like they might bring me to tears at times. If I didn’t know the lyrics, they almost sound holy at times.

I loved the single in 2014, but I remember thinking “How can they possibly replicate this brilliance into so many songs?”. Spoiler: they did.

“Love is Not Enough” is another release by Wet. I am not sure what your reaction will be, but this song touches me so deeply, I can only listen to it so often.

The lyrics have an intended meaning that I overlook because every time I hear this song, it reminds me of an article by Mark Manson titled “Love is Not Enough“. The song fits the sentiment of the article if you’ve ever been on the downward trending side of love not being enough.

However, “Love is Not Enough”, the song, also says “Don’t let them tell you, love is not enough.” Like many things in life, there are gray areas or situational differences. In what situation and when is love not enough for or is it enough for?

As a practical person in the business of compartmentalizing, I think, on the day-to-day, love is not enough. Maybe people who read this will think I am a total Debby Downer. Put away your pitchforks, boys. This day-to-day existence is way more special and honorable than what we think of as romantic love. If someone is willing to return to the nest and take part in your active aging, farting, burping, and other joys of being a biological lifeform with an overactive piece of slowly failing CPU, that’s truly a testament to a bond.

However, in the greater sense of life [the big moments], I do think we see and feel love is very much enough, and it is up to us on how we leverage that to set people free.

Desert Sessions: Songs for Personal and Public Apocalypse Survival

While the Bitchfork readership is measly in quantity, it is international (or all of you use VPNs or a combo of both). Usually it is the music that brings us together, but today, please join me as we socially distance ourselves.

Before the virus, I’ve contemplated a self-imposed social distancing. The idea came from a plane ride and some fungi. For a long-enough-to-be-annoying-frame-of-time, I have felt like I was standing at the edge of the world. The Earth and all its contents at my back, looking out at infinite– overwhelmingly lonely and in awe of the how, despite being filled with stars and planets, space is so stark.

The fact a virus that requires distancing ourselves from humans is an ironic and somewhat cathartic event to (maybe?) wrap up these last few weeks. However, just as I am in awe of the starkness of the universe, I am equally thankful for the solitude.

The Desert Sessions Vol. 11 & 12 is the perfect soundtrack for everything I am seeing and feeling at this time. It offers an apocalyptic feel without much of the seriousness but much of the absurdness and loneliness mixed with elements of survival.

Desert-Sessions-Vol-11

From Wiki:

The Desert Sessions are a musical collective series, founded by Josh Homme in 1997. Artists such as Brant BjorkPJ HarveyJeordie White (a.k.a. Twiggy Ramirez)Dave CatchingNick OliveriMark LaneganJohn McBainBen ShepherdJosh FreeseChris GossAlain JohannesTroy Van LeeuwenDean Ween, and many others from the Palm Desert Scene have contributed as songwriters and musicians.

I am a big/huge/large/massive/fluffy fan of Josh Homme’s talents, work, and collaborative efforts. Like members of The Mars Volta as well as Mike Patton, I don’t know how the dude sleeps: Queens of the Stone Age, Them Crooked Vultures, Eagles of Death Metal, KYUSS, Iggy Pop; and extensive work with Foo Fighters and Arctic Monkeys.

Example 1:

It’s not often you see a very large, ginger man with such moves. Also, please never tell me masculinity and flamboyance are an oxymoron or mutually exclusive (and have you seen him roller skate?).

Josh Homme has been doing wonderful things for decades. He began the Desert Sessions in 1997. Since that time, he has produced 12 volumes, the latest being Vol. 11: Arriverderci Despair and  Volume 12: Tightwads & Nitwits & Critics & Heels. These volumes features greats like Billy Gibbons of ZZ Top, Les Claypool of Primus, Stella Mozgawa of Warpaint, Jakes Shears of Scissor Sisters, Matt Berry of everything, Matt Sweeney, Carla Azar of Autolux and Jack White, and Mike Kerr of Royal Blood (all seen in the featured photo of this post).

Here are some of my favorites from the latest volumes.

Continue reading Desert Sessions: Songs for Personal and Public Apocalypse Survival